{"id":22,"date":"2019-07-31T18:10:51","date_gmt":"2019-07-31T18:10:51","guid":{"rendered":"https:\/\/panseeatta.wordpress.com\/?page_id=22"},"modified":"2026-02-02T11:45:45","modified_gmt":"2026-02-02T11:45:45","slug":"cv","status":"publish","type":"page","link":"https:\/\/panseeatta.com\/index.php\/about\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"22\" class=\"elementor elementor-22\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9e4e97a e-flex e-con-boxed e-con e-parent\" data-id=\"9e4e97a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-982fc1f elementor-widget elementor-widget-text-editor\" data-id=\"982fc1f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h1 class=\"western\"><a name=\"__RefHeading___Toc3799_327267623\"><\/a> <span style=\"font-family: Liberation Serif, serif;\">Education<\/span><\/h1><table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\"><tbody><tr valign=\"top\"><td width=\"10%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2022<\/span><\/p><\/td><td width=\"90%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">PhD in Cultural Mediations (Visual Culture), Carleton Universit\u00ad\u00ady.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Thesis: <\/span><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/repository.library.carleton.ca\/concern\/etds\/vh53ww70c\"><span style=\"font-family: Liberation Serif, serif;\"><i>Unruly Appreciations: How Contestation Shapes the Value of Pharaonic Things<\/i><\/span><\/a><\/u><\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"10%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2019<\/span><\/p><\/td><td width=\"90%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Diploma program in Curatorial Studies, Carleton University <\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"10%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2015<\/span><\/p><\/td><td width=\"90%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">MA Cultural Studies, Queen\u2019s University. Research-Creation project. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Thesis: <\/span><a href=\"https:\/\/qspace.library.queensu.ca\/items\/d19d2bf6-1598-405e-b96a-53099a770fd3\"><span style=\"color: #0000ff;\"><u><span style=\"font-family: Liberation Serif, serif;\"><i>Curating Resistance, Resisting Curation: The possibilities and limitations of objects in <\/i><\/span><\/u><\/span><i> <\/i><span style=\"color: #0000ff;\"><u><span style=\"font-family: Liberation Serif, serif;\"><i>institutions<\/i><\/span><\/u><\/span><\/a><span style=\"font-family: Liberation Serif, serif;\"><i>.<\/i><\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"10%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2010<\/span><\/p><\/td><td width=\"90%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Bachelor of Fine Arts (Honours), Queen\u2019s University. <\/span><\/p><\/td><\/tr><\/tbody><\/table><h1 class=\"western\"><a name=\"__RefHeading___Toc3801_327267623\"><\/a><span style=\"font-family: Liberation Serif, serif;\">Recent Exhibitions<\/span><\/h1><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><u>Solo Shows<\/u><\/span><\/p><table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\"><tbody><tr valign=\"top\"><td width=\"7%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2023<\/span><\/p><\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>We liberate one another<\/i>, Corridor 45| 75, Ottawa, Ontario.<\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"7%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2019<\/span><\/p><\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>We only liberate ourselves by binding our liberations with those of one another,<\/i> SAW Video, Ottawa. <\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"7%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2016<\/span><\/p><\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Myth Marks,<\/i> La Centrale Galerie Powerhouse, Montreal, Quebec. <\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"7%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2015<\/span><\/p><\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Myth Marks<\/i>, Union Gallery (Project Room), Kingston, Ontario.<\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"7%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2010<\/span><\/p><\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Prayers &amp; Meditations<\/i>, Ajax Public Library, Ajax, Ontario<\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"7%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2009<\/span><\/p><\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Convergence\/Divergence<\/i>, Union Gallery, Kingston, Ontario.<\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"7%\">\u00a0<\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Harem Girls and Belly Dancers<\/i>, The Artel, Kingston, Ontario. <\/span><\/p><\/td><\/tr><tr valign=\"top\"><td width=\"7%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2008<\/span><\/p><\/td><td width=\"93%\"><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Kuffiyeh Kinderlach<\/i>, Ban Righ Women\u2019s Centre, Kingston, Ontario.<\/span><\/p><\/td><\/tr><\/tbody><\/table><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><u>Group Exhibitions<\/u><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2025 <a href=\"https:\/\/www.materialculture.nl\/en\/events\/rijksakademie-x-unfinished-pasts\">Unfinished Pasts<\/a>, Rijksakademie Van Beeldende Kunsten Open Studio, Amsterdam Art Week, Amsterdam, the Netherlands.<br \/><i>Unfinished past: return, keep, or&#8230;?, <\/i>Wereldmuseum Amsterdam, the Netherlands. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Open studio event (with Pressing Matter artists), Rijksakademie van Beeldende Kunsten, Amsterdam, the Netherlands.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2023 <i>re- <\/i>, FOFA Gallery, Montreal, Quebec.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>Hyphen (-), <\/i>G101, Ottawa, Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>(unofficial) Nuit Blanche, <\/i>The Bridge, 379 Adelaide St. W, Toronto, Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2021 <i>Holding Pattern, <\/i>City Hall Art Gallery, Ottawa, Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i><a href=\"https:\/\/ausstellungen.deutsche-digitale-bibliothek.de\/rosetta-stone\">All Good Things Come in Threes<\/a>, <\/i>SAW Leipzig (online exhibition)<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> (Collaboration with Nadah El Shazly) <i>Mutant Histories, <\/i>Pique 2021, Arts Court, Ottawa, Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2020 (Collaboration with Wellington Sanipe) <i>See\/Hear\/Move<\/i>, &#8220;a graph, a lovely tree&#8221; SAW Video, Ottawa, Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>See\/Hear\/Move<\/i>, City Hall, Ottawa. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>To Be Continued: Troubling the Queer Archive<\/i>, Carleton University Art Gallery, Ottawa. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2019 <i>Encyclopedias,<\/i> Modern Fuel Artist-Run Centre, Kingston, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>La voix des archives<\/i>, LA CENTRALE Galerie Powerhouse, Montreal. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Public Syntax (<\/i>with the Video in the Public Sphere working group), Critical Distance, Toronto. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2018 <i>Unpacking the Living Room<\/i>, MSVU Art Gallery, Halifax, Nova Scotia. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2017 <i>Chinatown Remixed<\/i>, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2016 <i>Canadian Belonging(s)<\/i>, Art Gallery of Mississauga, Mississauga, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>Dissonant Integrations<\/i>, Z Art Space, Montreal, Quebec. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2014 <i>New Henna, <\/i>Lab Cab Festival, Toronto, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>Hair Lines<\/i>, Chipped Off Performance Festival, Kingston, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>Chinatown Remixed<\/i>, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2013 <i>Create This Revolution<\/i>, Gallery 101, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2012 <i>No Two Alike<\/i>, The Modern Fuel Artist Run Centre, Kingston, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>Figureworks III<\/i>, St. Brigid\u2019s Arts Centre, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>VDay 2012,<\/i> The Bronson Centre, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2011 <i>Big Smalls IV<\/i>, Cube Gallery, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>101 Frames: Gluttony<\/i>, G101, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2010 Figureworks, Rothwell Gallery, Ottawa, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <i>BFA Select<\/i>, Agnes Etherington Art Centre, Kingston, Ontario. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2008 <i>Harem Girls and Bellydancers<\/i>, The Artel, Kingston, Ontario. <\/span><\/p><h1 class=\"western\"><a name=\"__RefHeading___Toc3803_327267623\"><\/a><span style=\"font-family: Liberation Serif, serif;\">Curatorial Projects<\/span><\/h1><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2025 <i>Intersections<\/i>, Art Museum of the Americas, Washington, DC.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2024 A <i>Dream of Return<\/i>, Carleton University Art Gallery, Ottawa, ON.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2022 <i>Intersections<\/i>, Art Gallery of the Canadian Embassy, Washington, DC. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2021 <i>#AMAatHome, <\/i>Art Museum of the Americas, Washington, DC. (online due to pandemic restrictions).<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2019 <i>Home\/Making<\/i>; Canada Council Art Bank, Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2015 <i>Turbines Curatorial Collective presents: UTOPIAS performance art festival<\/i>, Kingston, Ontario.<\/span><\/p><h1 class=\"western\"><a name=\"__RefHeading___Toc3805_327267623\"><\/a><span style=\"font-family: Liberation Serif, serif;\">Grants, Awards, and Residencies<\/span><\/h1><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2024 <i>InHerit: heritage in transformation<\/i>. K\u00e4te Hamburger Centre for Advanced Study, Humboldt-Universit\u00e4t zu Berlin. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2023 Pressing Matter artist residency, in association with Rijksakademie and Wereldmuseum network, Netherlands. VIU Visualizing Cities Digital Art History Summer Institute, Venice, Italy (as part of Mobile Subjects, Contrapuntal Modernisms).<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2022 Carleton University Senate Medal for Outstanding Achievement<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2021 Emerging Artist Grant, Ottawa Arts Council.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2020 Social Sciences and Humanities Research Council Doctoral Fellowship.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2019 Pillars of the Nile Association Award.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2018 Reesa Greenburg Curatorial Studies Award, Carleton University.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2017 Emerging Artist Grant, Ottawa Arts Council.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2017 Imam Tawfiq Shaheen Memorial Scholarship for research in Muslim communities.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <span style=\"color: #000000;\">Best Graduate Student Paper Award, Canadian Journal of Communications Conference, Ottawa.<\/span><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2016 <i>Impressions<\/i> Residency, Montreal Museum of Fine Art, Montreal, Quebec. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2012 Spark Box Studio Emerging Artist Residency Award, Picton, Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2009 Atelier of Alexandria, Alexandria, Egypt.<\/span><\/p><h1 class=\"western\"><a name=\"__RefHeading___Toc3807_327267623\"><\/a><span style=\"font-family: Liberation Serif, serif;\">Writing<\/span><\/h1><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><u>Peer <\/u><u>r<\/u><u>eviewed <\/u><u>academic <\/u><u>publications<\/u><u>:<\/u><\/span><\/p><ul><li><p><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\">Pansee Abou ElAtta, \u201cMore-than-human networks through Dutch museum collections\u201d (In revisions with the International Journal of Critical Heritage)<\/span><\/span><\/p><\/li><li><p><a name=\"_Hlk200467336\"><\/a><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\">Pansee Abou ElAtta, <\/span><span style=\"font-size: small;\"><i>Legitimizing \u1e24urma As A Mode Of Affective Relation To Antiquity<\/i><\/span><span style=\"font-size: small;\">, Journal of Egyptian Archaeology (<\/span><span style=\"font-size: small;\"><i>Forthcoming\/2026<\/i><\/span><span style=\"font-size: small;\">)<\/span><\/span><\/p><\/li><li><p><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\">Pansee Abou ElAtta, \u201cThe Moon Upon its Fourteenth Night: Embodied archives, gendered histories, and decolonial story-telling practices.\u201d <i>Worlding Public Cultures Chapbook Series<\/i>, ICI Press (Forthcoming\/2026)<\/span><\/span><\/p><\/li><li><p><span style=\"font-family: Liberation Serif, serif;\"><span style=\"color: #1a1a1a;\"><span style=\"font-size: small;\">Pansee Abou ElAtta, \u201cBelonging in Egypt\u201d, in <\/span><\/span><span style=\"color: #1a1a1a;\"><span style=\"font-size: small;\"><i>Echoes of Ancient Egypt<\/i><\/span><\/span><span style=\"color: #1a1a1a;\"><span style=\"font-size: small;\">, Rijksmuseum van Oudheden (In preparation, forthcoming, 2026\/2027)<\/span><\/span><\/span><\/p><\/li><li><p><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\">Pansee Abou ElAtta, \u201cMore-than-Human Networks? Dutch Museum Collections\u201d in <\/span><\/span><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\"><i>tbc. working through heritage concepts,<\/i><\/span><\/span><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\"> inherit. heritage in transformation, Berlin, 2025. <a href=\"https:\/\/doi.org\/10.18452\/34377\">https:\/\/doi.org\/10.18452\/34377<\/a> <\/span><\/span><\/p><\/li><li><p><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\">Atta, Pansee. &#8220;Feeling Unproductive: Vivek Shraya on the Creative Labor of Negative Affect.&#8221;\u00a0<\/span><\/span><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\"><i>Re\/Imagining Depression<\/i><\/span><\/span><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\">. Palgrave Macmillan, Cham, 2021. 119-132. <\/span><\/span><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/doi.org\/10.1007\/978-3-030-80554-8_10\"><span style=\"font-family: Liberation Serif, serif;\"><span style=\"font-size: small;\">https:\/\/doi.org\/10.1007\/978-3-030-80554-8_10<\/span><\/span><\/a><\/u><\/span><\/p><\/li><\/ul><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><u>Other:<\/u><\/span><\/p><ul><li><p>\u201c<span style=\"font-family: Liberation Serif, serif;\">Buraq,\u201d <i>Ottawa Inshallah, <\/i>Silk Road Institute, 2021. <\/span><\/p><\/li><li><p>\u201c<span style=\"font-family: Liberation Serif, serif;\">Histories, Real and Imagined: 5 Contemporary Photographers Challenging Misrepresentations of the Middle East.\u201d .<\/span><span style=\"font-family: Liberation Serif, serif;\"><i>ART<\/i><\/span><span style=\"font-family: Liberation Serif, serif;\">, June 30, 2022. <\/span><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/art.art\/blog\/histories-real-and-imagined-5-contemporary-photographers-challenging-misrepresentations-of-the-middle-east\"><span style=\"font-family: Liberation Serif, serif;\">https:\/\/art.art\/blog\/histories-real-and-imagined-5-contemporary-photographers-challenging-misrepresentations-of-the-middle-east<\/span><\/a><\/u><\/span><i> <\/i><i> <\/i><\/p><\/li><li><p><span style=\"font-family: Liberation Serif, serif;\">&#8220;Home\/Making: Remixing the everyday.&#8221; <\/span><span style=\"font-family: Liberation Serif, serif;\"><i>Canada Council Art Bank<\/i><\/span><span style=\"font-family: Liberation Serif, serif;\">, May 28, 2019. <\/span><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/artbank.ca\/blog\/2019\/5\/homemaking\"><span style=\"font-family: Liberation Serif, serif;\">https:\/\/artbank.ca\/blog\/2019\/5\/homemaking<\/span><\/a><\/u><\/span><\/p><\/li><\/ul><h1 class=\"western\"><a name=\"__RefHeading___Toc3809_327267623\"><\/a><span style=\"font-family: Liberation Serif, serif;\">Conferences, Performances, and Talks<\/span><\/h1><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">202<span style=\"font-size: small;\">6 \u201c<\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\">Egyptian <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\">Human<\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\"> Remains in Museums: <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\">Rethinking terminolog<\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\">ies<\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\"> and modes of <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\">d<\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: small;\">isplay\u201d<\/span><\/span> <span style=\"font-size: small;\">LeidenGlobal Dialogues, Rijksmuseum van Oudheden (with Daniel Soliman)<\/span><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2025 \u201cContrapuntal Modernisms. Modeling Situated Transnational Art Histories in Paris and London,\u201d DH2025, Lisbon, Portugal <b>(Collaboration with Mobile Subjects, Contrapuntal Modernisms)<\/b><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> \u201cWhat can Ancient Egyptian mummies tell us about Dutch collection histories?\u201d, Netherlands Institute for the Near East, Leiden University, the Netherlands<i> <\/i><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i> <\/i>Artist discussion with Sara Sallam, <i>Decolonizing Archaeological Epistemologies,<\/i> Leiden, the Netherlands<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2024 \u201cWhat Heritage Hides,&#8221; Humboldt University, Berlin. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i> \u201c<\/i>Thinking through the Museum,\u201d Carleton University, Ottawa.<i> <\/i><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i> \u201c<\/i>To Make One Partickle of The Public Soul of All Things,\u201d Wereldmuseum Amsterdam (Performance).<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2023 \u201cLegitimizing El \u1e24urma as an Egyptian mode of affective relation to antiquity,\u201d International Conference of Egyptologists, Leiden, Netherlands.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> \u201cA Grassroots Social History of the Bust of Nefertiti,\u201d Social History Conference, Essex, UK.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> \u201cPorous Borders: Ambiguities, Uncertainties, and Gaps in Urban History, Identities, and Data,\u201d DHBenelux 2023, Brussels, Belgium. With Ming Tiampo, Maribel Hidalgo-Urbaneja, and Janneke Van Hoeve<i>.<\/i><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2022 \u201cMobile Subjects, Contrapuntal Modernisms,\u201d\u00a0<i>Mass Data Methodologies,\u00a0<\/i>Paul Mellon Centre for British Art, London (Co-presented with Janneke Van Hoeve, Ming Tiampo, and Maribel Hidalgo Urbaneja)<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> \u201cWhat if museum history was a history of contestation?\u201d Universities Art Association of Canada conference 2022, Toronto, Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> \u201cHow Egyptian repatriative efforts shaped public understandings of the Bust of Nefertiti,\u201d American Research Center in Egypt Annual Conference, Irvine, California.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> <span style=\"color: #000000;\">&#8220;The Moon upon its Fourteenth Night: Embodied archives, gendered histories, and decolonial story-telling practices,&#8221; <\/span><span style=\"color: #000000;\"><i>Lessons Learned? Transcultural Perspectives in Curating and Pedagogies,<\/i><\/span><span style=\"color: #000000;\"> Worlding Public Cultures, Dresden, Germany.<\/span><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2021 \u201c<span lang=\"en-US\">Tutankhamun\u2019s tomb, anti-colonial contestation, and the construction of the \u2018Treasures\u2019 exhibition<\/span><span lang=\"en-CA\">,\u201d <\/span>American Research Center in Egypt Annual Conference<span lang=\"en-CA\"> (online due to pandemic restrictions).<\/span><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2019 <span style=\"color: #000000;\">\u201cKeywords\u201d panel, <\/span><span style=\"color: #000000;\"><i>Reparative Frames: <\/i><\/span><i>Visual Culture After Reconciliation<\/i>,<span style=\"color: #000000;\"> OCAD University, Toronto, Ontario.<\/span><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Guest lecture: &#8220;Egypt and decolonial approaches to museology,&#8221; in FAVA 4066: Issues in Curation &amp; Museum Representation, Nipissing University.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2017 Journal of Historical Materialism Conference, SOAS, University of London, UK.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Universities Art Association of Canada conference 2017, Banff, Alberta.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Guest Lecture: &#8220;Special Topics in Arab Canadian Studies&#8221; class in University of Ottawa , Ontario.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Hyper\/in\/visibility: A Dialogue on Women of Colour in the Arts<\/i>, Studio 66, Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"><i>Rethinking Canada 150: Networks and Nodes in Asian Canadian Visual Culture<\/i>, Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Off The Record, Institute for Comparative Studies in Literature, Art, and Culture, Carleton University.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2016 Universities Art Association of Canada conference 2016, UQAM, Montreal. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Vitriol: Art and its Discontents, Art History Graduate Student Association, Concordia University.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Ethnocultural Art Histories Research, Art History Department, Concordia University.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2015 <i>Visual Bites in Context: Research-in-Conversation<\/i>, Union Gallery, Kingston. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">Undisciplined, Department of Cultural Studies, Queen\u2019s University. <\/span><\/p><h1 class=\"western\"><a name=\"__RefHeading___Toc3811_327267623\"><\/a><span style=\"font-family: Liberation Serif, serif;\">Media Coverage<\/span><\/h1><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2025 <\/span><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/www.dutchnews.nl\/2025\/06\/skeleton-in-the-closet-show-asks-questions-on-colonial-objects\/\"><span style=\"font-family: Liberation Serif, serif;\">Skeleton in the closet: show asks questions on colonial objects,<\/span><\/a><\/u><\/span><span style=\"font-family: Liberation Serif, serif;\"> Dutch News.<\/span><\/p><p class=\"western\"><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/www.theartnewspaper.com\/2025\/06\/04\/wereldmuseum-amsterdam-suggests-new-ways-to-respectfully-house-human-remains\"><span style=\"font-family: Liberation Serif, serif;\">Wereldmuseum Amsterdam ponders space to \u2018respectfully\u2019 house human remains<\/span><\/a><\/u><\/span><span style=\"font-family: Liberation Serif, serif;\">, The Art Newspaper.<\/span><\/p><p class=\"western\"><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/www.groene.nl\/artikel\/vuile-handen-maken\"><span style=\"font-family: Liberation Serif, serif;\">Vuile handen maken<\/span><\/a><\/u><\/span><span style=\"color: #0000ff;\"><span style=\"font-family: Liberation Serif, serif;\">,<\/span><\/span><span style=\"font-family: Liberation Serif, serif;\"> De Groene Amsterdammer.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2024 <a href=\"https:\/\/charlatan.ca\/cuags-a-dream-of-return-showcases-creative-resistance-through-contemporary-art\/\">CUAG\u2019s \u2018A Dream of Return\u2019 showcases creative resistance through contemporary art<\/a>, The Charlatan<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2022 <a href=\"https:\/\/www.peripheralreview.com\/to-be-continued-troubling-the-queer-archive-at-carleton-university-gallery\/\"><span style=\"color: #0000ff;\"><span style=\"font-size: small;\">To be Continued:\u00a0<\/span><\/span><span style=\"color: #0000ff;\"><span style=\"font-size: small;\"><i>Troubling the Queer Archive<\/i><\/span><\/span><span style=\"color: #0000ff;\"><span style=\"font-size: small;\">\u00a0at Carleton University Gallery<\/span><\/span><\/a> <span style=\"color: #000000;\"><span style=\"font-size: small;\">(Review)<\/span><\/span><\/span><\/p><p class=\"western\"><span style=\"color: #0000ff;\"><span style=\"color: #000000;\"><span style=\"font-family: Liberation Serif, serif;\">2021 <\/span><\/span><\/span><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/www.cbc.ca\/news\/canada\/ottawa\/ottawa-inshallah-book-muslim-artists-writers-1.6238731\"><span style=\"font-family: Liberation Serif, serif;\">Local Muslim artists, writers dream of a better future in new art anthology<\/span><\/a><\/u><\/span><span style=\"color: #0000ff;\"><span style=\"color: #000000;\"><span style=\"font-family: Liberation Serif, serif;\">, <\/span><\/span><\/span><span style=\"color: #0000ff;\"><span style=\"color: #000000;\"><span style=\"font-family: Liberation Serif, serif;\">Anchal Sharma, CBC News. <\/span><\/span><\/span><\/p><p class=\"western\"><span style=\"color: #0000ff;\"><u><a href=\"https:\/\/www.youtube.com\/watch?v=cNWqRKsWNQ0\"><span style=\"font-family: Liberation Serif, serif;\">Ottawa Inshallah<\/span><\/a><\/u><\/span><span style=\"color: #0000ff;\"><span style=\"font-family: Liberation Serif, serif;\">,<\/span><\/span><span style=\"font-family: Liberation Serif, serif;\"> Rogers TV (Review)<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2016 <\/span><a href=\"http:\/\/www.akimbo.ca\/akimblog\/?id=1146\"><span style=\"color: #0000ff;\"><span style=\"font-family: Liberation Serif, serif;\"><u>\u201cTerence Dick: CANADIAN BELONGING(S) AT THE ART GALLERY OF MISSISSAUGA\u201d<\/u><\/span><\/span><\/a><span style=\"font-family: Liberation Serif, serif;\"> (Review).<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2015 <\/span><span style=\"color: #0000ff;\"><span style=\"font-family: Liberation Serif, serif;\">\u201c<\/span><\/span><a href=\"http:\/\/www.queensjournal.ca\/story\/2015-09-24\/arts\/myth-marks-makes-move-to-decolonize-museums\/\"><span style=\"color: #0000ff;\"><span style=\"font-family: Liberation Serif, serif;\"><u>Myth Marks makes move to decolonize museums<\/u><\/span><\/span><\/a><span style=\"font-family: Liberation Serif, serif;\">\u201d, Queen\u2019s Journal, Sept 25 (Review).<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2009 On Sex and Text: Women and the Koran. \u201cThe Body as a Site of Discrimination: Exploring and Resisting Body-Based Oppressions\u201d. <\/span><\/p><h1 class=\"western\"><a name=\"__RefHeading___Toc3813_327267623\"><\/a><span style=\"font-family: Liberation Serif, serif;\">Work and Volunteer Experience<\/span><\/h1><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2023 Assistant Curator, Global Affairs, Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2022 Instructor, <i>Representations of Ancient Egypt in Visual Culture, <\/i>ARTH4809D, Carleton University, Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2022 <i>Sideways <\/i>residency visiting artist, Modern Fuel Artist Run Centre (online).<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2019 Juror, City of Ottawa Arts Funding Program \u2013 Film and Video<i>.<\/i><\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2017 Advisory Board Member, Carleton University Art Gallery. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2016 <i>How does science inspire you?<\/i> Mural project, Canada Museum of Science &amp; Technology, Ottawa. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Teaching Assistanceship, Art History: Prehistory to Contemporary, Carleton University. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2015 Vice President Community Relations, PSAC 901, Kingston. <\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2014 Event Coordination, Wikipedia Edit-a-thon, Kingston.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2013 Teaching Assistanceship, Studio Fundamentals, Queen\u2019s University.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Teaching Assistanceship, Art in Society 210, Queen\u2019s University.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Board Member, Modern Fuel Artist Run Centre, Kingston.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Communications Committee Chair, Modern Fuel Artist Run Centre,<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2012 Volunteer, G101, Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Volunteer, Indigenous People\u2019s Solidarity Movement Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Volunteer, Pink Triangle Services, Ottawa.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2010 Selections Committee, Union Gallery, Kingston.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2009 Gallery Assistant (Internship) The Modern Fuel Artist Run Centre, Kingston.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\"> Art Director, ArtReach, Kingston.<\/span><\/p><p class=\"western\"><span style=\"font-family: Liberation Serif, serif;\">2008 Instructor, ArtReach, Kingston.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-be6eb33 e-flex e-con-boxed e-con e-parent\" data-id=\"be6eb33\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e2ad30b elementor-widget elementor-widget-pdfjs_viewer\" data-id=\"e2ad30b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"pdfjs_viewer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe src=\"https:\/\/panseeatta.com\/wp-content\/plugins\/pdf-viewer-for-elementor\/assets\/pdfjs\/web\/viewer.html?file=https:\/\/panseeatta.com\/wp-content\/uploads\/2025\/06\/CV_full-2.pdf&amp;embedded=true\" style=\"display: block; margin-left: auto; margin-right: auto; width: 640px; height: 1020px;\" frameborder=\"1\" marginheight=\"0px\" marginwidth=\"0px\" allowfullscreen><\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-24304ef e-flex e-con-boxed e-con e-parent\" data-id=\"24304ef\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Education 2022 PhD in Cultural Mediations (Visual Culture), Carleton Universit\u00ad\u00ady. Thesis: Unruly Appreciations: How Contestation Shapes the Value of Pharaonic Things 2019 Diploma program in Curatorial Studies, Carleton University 2015 MA Cultural Studies, Queen\u2019s University. Research-Creation project. Thesis: Curating Resistance, Resisting Curation: The possibilities and limitations of objects in institutions. 2010 Bachelor of Fine Arts &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/panseeatta.com\/index.php\/about\/cv\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;CV&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":79,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-22","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>CV &#8211; Pansee Atta<\/title>\n<meta name=\"description\" content=\"Pansee Atta CV and work experience; artistic exhibitions, curatorial work, community experience. 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