{"id":22,"date":"2019-07-31T18:10:51","date_gmt":"2019-07-31T18:10:51","guid":{"rendered":"https:\/\/panseeatta.wordpress.com\/?page_id=22"},"modified":"2026-08-11T14:29:12","modified_gmt":"2026-08-11T14:29:12","slug":"cv","status":"publish","type":"page","link":"https:\/\/panseeatta.com\/index.php\/about\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"\t\t
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<\/a> Education<\/span><\/h1>\n\n\n\n\n\n\n
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2022<\/span><\/p>\n<\/td>\n

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PhD in Cultural Mediations (Visual Culture), Carleton Universit\u00ad\u00ady.<\/span><\/p>\n

Thesis: <\/span>Unruly Appreciations: How Contestation Shapes the Value of Pharaonic Things<\/i><\/span><\/a><\/u><\/span><\/p>\n<\/td>\n<\/tr>\n

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2019<\/span><\/p>\n<\/td>\n

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Diploma program in Curatorial Studies, Carleton University <\/span><\/p>\n<\/td>\n<\/tr>\n

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2015<\/span><\/p>\n<\/td>\n

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MA Cultural Studies, Queen\u2019s University. Research-Creation project. <\/span><\/p>\n

Thesis: <\/span>Curating Resistance, Resisting Curation: The possibilities and limitations of objects in <\/i><\/span><\/u><\/span> <\/i>institutions<\/i><\/span><\/u><\/span><\/a>.<\/i><\/span><\/p>\n<\/td>\n<\/tr>\n

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2010<\/span><\/p>\n<\/td>\n

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Bachelor of Fine Arts (Honours), Queen\u2019s University. <\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a> Recent Exhibitions<\/span><\/h1>\n

Solo Shows<\/u><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
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2023<\/span><\/p>\n<\/td>\n

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We liberate one another<\/i>, Corridor 45| 75, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

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2019<\/span><\/p>\n<\/td>\n

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We only liberate ourselves by binding our liberations with those of one another,<\/i> SAW Video, Ottawa. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2016<\/span><\/p>\n<\/td>\n

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Myth Marks,<\/i> La Centrale Galerie Powerhouse, Montreal, Quebec. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2015<\/span><\/p>\n<\/td>\n

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Myth Marks<\/i>, Union Gallery (Project Room), Kingston, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

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2010<\/span><\/p>\n<\/td>\n

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Prayers & Meditations<\/i>, Ajax Public Library, Ajax, Ontario<\/span><\/p>\n<\/td>\n<\/tr>\n

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2009<\/span><\/p>\n<\/td>\n

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Convergence\/Divergence<\/i>, Union Gallery, Kingston, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Harem Girls and Belly Dancers<\/i>, The Artel, Kingston, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2008<\/span><\/p>\n<\/td>\n

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Kuffiyeh Kinderlach<\/i>, Ban Righ Women\u2019s Centre, Kingston, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Group Exhibitions<\/u><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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2026<\/span><\/p>\n<\/td>\n

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Arisen from the Secret Land<\/i>, community-organized festival, Los Angeles (upcoming)<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Arisen from the Secret Land<\/i>, Wildseed Center for Art and Activism, Toronto (organized by Soul House Collective).<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

What have we here? <\/i><\/span>Troef, Leiden, Nethe<\/span>r<\/span>lands.<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n

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2024<\/span><\/p>\n<\/td>\n

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Listening in Practice, <\/i>Tieranatomisches Teater, Berlin.<\/span><\/p>\n<\/td>\n<\/tr>\n

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2025<\/span><\/p>\n<\/td>\n

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Unfinished past: return, keep, or…?, <\/i>Wereldmuseum Amsterdam, the Netherlands.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Open studio event (with Pressing Matter), Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands.<\/span><\/p>\n<\/td>\n<\/tr>\n

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2023<\/span><\/p>\n<\/td>\n

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Worlding Public Cultures<\/i>, FOFA Gallery, Montreal, Quebec.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Hyphen (-), <\/i>G101, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

(unofficial) Nuit Blanche, <\/i>The Bridge, 379 Adelaide St. W, Toronto, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

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2021<\/span><\/p>\n<\/td>\n

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Diasporic Futurism, <\/i>Root Division, San Francisco, California.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Holding Pattern, <\/i>City Hall Art Gallery, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

All Good Things Come in Threes<\/a>, <\/i>SAW Leipzig (online exhibition)<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

(Collaboration with Nadah El Shazly) Mutant Histories, <\/i>Pique 2021, Arts Court, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

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2020<\/span><\/p>\n<\/td>\n

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(Collaboration with Wellington Sanipe) See\/Hear\/Move<\/i>, “a graph, a lovely tree” SAW Video, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

See\/Hear\/Move<\/i>, City Hall, Ottawa. <\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

To Be Continued: Troubling the Queer Archive<\/i>, Carleton University Art Gallery, Ottawa. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2019<\/span><\/p>\n<\/td>\n

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Encyclopedias,<\/i> Modern Fuel Artist-Run Centre, Kingston, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

La voix des archives<\/i>, LA CENTRALE Galerie Powerhouse, Montreal. <\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Public Syntax (<\/i>with the Video in the Public Sphere working group), Critical Distance, Toronto. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2018<\/span><\/p>\n<\/td>\n

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Unpacking the Living Room<\/i>, MSVU Art Gallery, Halifax, Nova Scotia.<\/span><\/p>\n<\/td>\n<\/tr>\n

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2017<\/span><\/p>\n<\/td>\n

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Chinatown Remixed<\/i>, community festival, Ottawa, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2016<\/span><\/p>\n<\/td>\n

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Canadian Belonging(s)<\/i>, Art Gallery of Mississauga, Mississauga, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Dissonant Integrations<\/i>, Z Art Space, Montreal, Quebec. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2014<\/span><\/p>\n<\/td>\n

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New Henna, <\/i>Lab Cab Festival, Toronto, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Hair Lines<\/i>, Chipped Off Performance Festival, Kingston, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2013<\/span><\/p>\n<\/td>\n

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Create This Revolution<\/i>, Gallery 101, Ottawa, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2012<\/span><\/p>\n<\/td>\n

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No Two Alike<\/i>, The Modern Fuel Artist Run Centre, Kingston, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

Figureworks III<\/i>, St. Brigid\u2019s Arts Centre, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

VDay 2012,<\/i> The Bronson Centre, Ottawa, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2011<\/span><\/p>\n<\/td>\n

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Big Smalls IV<\/i>, Cube Gallery, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

101 Frames: Gluttony<\/i>, G101, Ottawa, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2010<\/span><\/p>\n<\/td>\n

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Figureworks, Rothwell Gallery, Ottawa, Ontario.<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n\n

BFA Select<\/i>, Agnes Etherington Art Centre, Kingston, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n

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2008<\/span><\/p>\n<\/td>\n

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Harem Girls and Bellydancers<\/i>, The Artel, Kingston, Ontario. <\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/a> Curatorial <\/span>Work<\/span><\/span><\/h1>\n

2023 Assistant Curator, Global Affairs, Ottawa.<\/span><\/p>\n

2025 Curator, Intersections<\/i>, Art Museum of the Americas, Washington, DC.<\/span><\/p>\n

2024 Curator, A Dream of Return<\/i>, Carleton University Art Gallery, Ottawa, ON.<\/span><\/p>\n

2022 Curator, Intersections<\/i>, Art Gallery of the Canadian Embassy, Washington, DC. <\/span><\/p>\n

2021 Curator, #AMAatHome, <\/i>Art Museum of the Americas, Washington, DC. (online due to pandemic restrictions).<\/span><\/p>\n

2019 Curator, Home\/Making<\/i>; Canada Council Art Bank, Ottawa.<\/span><\/p>\n

2015 Group curation, Turbines Curatorial Collective presents: UTOPIAS performance art festival<\/i>, Kingston, Ontario.<\/span><\/p>\n\n

<\/a> Grants, Awards, and Residencies<\/span><\/h1>\n

2025-present Visiting researcher, Netherlands Institute for the Near East, Leiden University, Netherlands.<\/span><\/p>\n

2024 InHerit: heritage in transformation<\/i>. K\u00e4te Hamburger Centre for Advanced Study, Humboldt-Universit\u00e4t zu Berlin. <\/span><\/p>\n

2023 Pressing Matter artist residency, in association with Rijksakademie and Wereldmuseum network, Netherlands.\nRay Ferris Creative Tech Award at Artscape Daniels\nVIU Visualizing Cities Digital Art History Summer Institute, Venice, Italy (as part of Mobile Subjects, Contrapuntal Modernisms).<\/span><\/p>\n

2022 Carleton University Senate Medal for Outstanding Achievement<\/span><\/p>\n

2021 Emerging Artist Grant, Ottawa Arts Council.<\/span><\/p>\n

2020 Social Sciences and Humanities Research Council Doctoral Fellowship.<\/span><\/p>\n

2019 Pillars of the Nile Association Award.<\/span><\/p>\n

2018 Reesa Greenburg Curatorial Studies Award, Carleton University.<\/span><\/p>\n

2017 Emerging Artist Grant, Ottawa Arts Council.<\/span><\/p>\n

2017 Imam Tawfiq Shaheen Memorial Scholarship for research in Muslim communities.<\/span><\/p>\n

Best Graduate Student Paper Award, Canadian Journal of Communications Conference, Ottawa.<\/span><\/span><\/p>\n

2016 Impressions<\/i> Residency, Montreal Museum of Fine Art, Montreal, Quebec. <\/span><\/p>\n

2012 Spark Box Studio Emerging Artist Residency Award, Picton, Ontario.<\/span><\/p>\n

2009 Atelier of Alexandria, Alexandria, Egypt.<\/span><\/p>\n\n

<\/a> Writing<\/span><\/h1>\n

Peer <\/u>r<\/u>eviewed <\/u>academic <\/u>publications<\/u>:<\/u><\/span><\/p>\n\n